1958-12-16 • 0h 4min
New York City’s bridges dissolve into shifting abstractions through montage, superimposition, and color. Set to an electronic score by Louis and Bebe Barron, the film transforms familiar urban structures into an uncanny, alien landscape (an alternate version of the film features a jazz score by Teo Macero).
Black Rider
The Isle
White Hunter, Black Heart
The Man from Laramie
Monkey Business
The Cuckoo
The Road Home
Smiles of a Summer Night
The Psychic
The Play House
The Man with One Red Shoe
The Man Without a Past
Through the Olive Trees
Funny Farm
The Cameraman
Julius Caesar
Cries and Whispers
The Year of Living Dangerously
Kiss Me Deadly
Rooster Cogburn
