2012-01-01 • 0h 0min
An icon of the American avant-garde, Hollis Frampton made rigorous, audacious, brainy, and downright thrilling films, leaving behind a body of work that remains unparalleled. In the 1960s, having already been a poet and a photographer, Frampton became fascinated with the possibilities of 16 mm filmmaking. In such radically playful and visually and sonically arresting works as Surface Tension, Zorns Lemma, (nostalgia), Critical Mass, and the enormous, unfinished Magellan cycle (cut short by his death at age forty-eight), Frampton repurposes cinema itself, making it into something by turns literary, mathematical, sculptural, and simply beautiful—and always captivating. This collection of works by the essential artist—the first release of its kind—includes twenty-four films, dating from 1966 to 1979.

The Kid with a Bike

Wizards of Waverly Place: Wizard School

Serena

Truth

The Absent One

Hello Brother

The Island on Bird Street

Outrage Coda

Wallace & Gromit: Vengeance Most Fowl

The Hunting Ground

Interstellar

Bibi & Tina

Angelique and the Sultan

My Son

Godzilla vs. SpaceGodzilla

The Under-Gifted In Vacation

Crows Explode

The Admiral: Roaring Currents

K.O.

Bride of Re-Animator