1984-01-27 • 1h 34min
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him.
MY BBY 8L3W
The Peasants
Skin of a Mandarin
Pompeii: The Origins
Fate
The Search for Sayed Marzouk
Dharmaveer 2
Stripped Down: The Making of ‘Anora’
Slim Slam Slum
May You Live in Interesting Times
Rasp
The FGM Detectives
Venganza gaucha
Von Erholung war nie die Rede
Meatball Machine : Dissection
Eine reizende Familie
Dune
Ofelia
