1929-01-01 • 0h 8min
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers and foliage, a woman’s smile, arms stretching, an arm giving rhythm to a rocking chair. It uses natural elements (light, mirrors, water, and wind) and photographic techniques (multiple exposures and lenses) to distort the various elements, or to intensify their design.

Life, and Nothing More…

Oppenheimer

Titanic

Pulp Fiction

Shutter Island

PK

Ex Machina

8 Mile

Forrest Gump

Eden Lake

Joker

Interstellar

The Truman Show

Rise of the Planet of the Apes

12 Angry Men

Fight Club

The Suicide Squad

Soul

Kung Fu Panda

Inside Out