1984-11-19 • 0h 8min
A filmmaker’s self-portrait, asking hard questions of herself and of us. Invoking Aurore Clément as a kind of stand-in or proxy, a glamorous counterpart to Akerman who sports a drawn-on moustache. What is cinema for? Who is it for? If the Mosaic prohibition on making graven images includes film images, then where does that leave a Jewish filmmaker?
Some Thoughts On The Common Toad
Untamed Royals
National Family
Babes
Bad
An Ideal Father
Johan Falk: De 107 patrioterna
bad
Box
Mantra Warrior: The Legend of The Eight Moons
War
No End
My Penguin Friend
The Benetón Family
Mobile Suit SD Gundam's Counterattack
Tuhottu nuoruus
Do Re Mi
The Peasants
Breakfast
