2019-06-09 • 0h 6min
Voices that take shape in memory, an empty house, a piano that is now missing. Vivian Forrester said that for Duras, the act of speech to achieve was love in its whole or absolute desire. The one that can be silence, or singing, or screaming. It is what governs memory and forgetfulness, suffering and hope. This video essay proposes a dialogue between two films: Morir... Dormir... Tal Vez Soñar (Manuel Mur Oti, 1976) & India Song (Marguerite Duras, 1975). On the one hand, to claim a beautiful forgotten rarity of Spanish cinema and on the other, to claim that cinema, after all, is a house with many voices.

Midway

Joker

Harry Potter and the Philosopher's Stone

1917

The Shawshank Redemption

Once Upon a Time... in Hollywood

Zack Snyder's Justice League

Harry Potter and the Prisoner of Azkaban

Titanic

Doctor Strange

Tenet

Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)

Oppenheimer

Green Book

Frozen II

Marriage Story

Everything Everywhere All at Once

Inside Out

Harry Potter and the Half-Blood Prince

Jojo Rabbit