1963-04-23 • 0h 44min
[Here] Pollet made a work that is the very definition of what French critics like to call an ovni or ufo (as in ‘unidentified filmic object’). [It] has been described as being ‘like a comet in the sky of French cinema,’ an ‘unknown masterpiece,’ and an ‘unprecedented’ work that refuses interpretation even as it has provoked reams of critical writing. Its rhythmic collage of images – a girl on a gurney, a fisherman, Greek ruins, a Sicilian garden, a Spanish corrida – is accompanied by an abstract commentary written by Sollers, and only the somber lyricism of Antoine Duhamel’s score holds the film’s elements together. At first viewing, you fear that [it] might fly apart into incoherent fragments. Instead, over the course of its 45 minutes it invents its own rules, and you realize you’re watching something like the filmic channeling of an ancient ritual. – Chris Darke, FILM COMMENT

Pay Day

Far Side of the Moon

Spectre

Ghost in the Shell

Guardians of the Galaxy

The Godfather

Venom: The Last Dance

Inside Man: Most Wanted

Julieta

Legend

The Shawshank Redemption

Deadpool

The Marksman

Dolemite Is My Name

Fantasy Island

1917

The Circle

Joker

Rocketman

Sicario: Day of the Soldado